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Stone Poems represent an evolution in my work with tombstones. The previous collection entitled The Tombstone Photographs, created between 1995 and 2020, consisted of black and white images that formed linguistic connections between surnames often separated by large distances. This process deconstructed the cemetery by extracting individual tombstones from their respective contexts and arranging them into miniature cemeteries of my own making.
Created in a single cemetery on a single day, each Stone Poem consists of color images "grounded" in a poetics of neighbors -- formed in free verse by the surnames of people who in death share a common geography. One might ask "What is the significance of this common geography?" and the answer is revealed by the poems, themselves -- some bordering on micro fiction. While I still search for isolated surnames, I now view each cemetery as a reconstituted whole and seek the poetry within.
Less formal than The Tombstone Photographs, Stone Poems are more about documentation than composition. They are far more spontaneous; I shoot on the fly with my phone camera and accept the scene as-is, without tidying up the foliage or waiting for optimal light. The weather has a consistent presence in the poems. As with all my tombstone photographs, the subjects appear as I found them, bearing single last names with no dates of birth or death, no epitaphs. I invite anyone who wishes to join me in this pursuit to create your own stone poems and experience this wonderful game of names.
Robert Zott
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